近期，海内外掀起讨论马文化的热潮，古画中的马同样被唤醒。人民日报社美术融媒品牌栏目“每日读画”推出的短视频《中国汉字里藏着的万马奔腾》（扫描下方二维码观看短视频），为此做了生动诠释，广受好评，转发量迅速达到“10万+”。短视频通过数字媒体技术，将画作中静态的马转化为动态的接力奔跑的马。转化过程并非动画特效的炫技，而是在精准保留和呈现原作笔墨基础上，有节奏、有韵律地拓展想象空间。通过趣味性的动画，观众得以更真切地感受马的神韵，理解关于马的生僻字，加深鞍马画的笔墨印象，激发跨越时空的情感共鸣。
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Distinguishing between relational wrongdoing and moral responsibility for causing unjust damage (that is, infringing rights against injury) requires fixing some terms. In ordinary moral discourse, terms such as “duty,” “right,” and “wrong” are polysemous. The term “duty,” as it is most commonly used, refers to a sort of norm of conduct, or standard of behavior, which tells us to refrain from acting in a certain way. A moral duty, so understood, is largely or exclusively an evidence-relative phenomenon: It reflects those reasons that are accessible to an agent from her epistemic and deliberative position.39 To violate a duty owed to another person is thus to wrong or mistreat her by giving insufficient weight in one’s moral deliberation to moral reasons that reflect her status as a “self-originating source[] of claims.”40 Sometimes the term “right” is used as a synonym or conceptual flipside of “duty” (and thus the correlative of “wrong”): To violate a duty owed to another person just is to violate her right and to wrong her. This is the usage that Cardozo himself seems to have had in mind when he spoke of duties, rights, and wrongs in Palsgraf, and defenders of the Palsgraf perspective largely follow him in this regard.41
«Локомотив» одержал победу в Западной конференции КХЛ20:44